Always try to produce your most beautiful tone.

The air should be fluent and steady consistent.ĭuring practice sessions your embouchure, throat and tongue should be naturally relaxed and flexible. Next is to start a half step up from the beginning of the exercise on T23, working my way up to T0. This forces me to be flexible and facile in all ranges of the instrument. Sorry, your blog cannot lp posts by email. Email required Address never made public.ĭo not attempt to play in too high a register. In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs - or anything else. To find out more, including how to control cookies, see here: The following HTML tags can be used in the comment field: Facebook Twitter Reddit Print Email. You are commenting using your Facebook account.Ĭancel reply Your name, email address, and comment are required. Fill in your details below or click an icon to log in: Discovering the right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book. The exercises begin simply with half-note and quarter note slurs, beginning on open notes and moving downward through the harmonic series. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility. View and download Bai-Lin(1).pdf on DocDroid. Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item.

Bai lin lip flexibilities pdf free